Review: Frozen Melts Hearts at Musical Theatre Southwest

Walking into the theater for Musical Theatre Southwest’s production of Frozen, I was reminded of this show’s powerful reach. The lobby buzzed with kids eager to experience it. The multigenerational audience was also noticeable —ranging from toddlers experiencing their first musical to adults who know the soundtrack by heart. Frozen truly is a story for all ages, and the crowd proved it.

Tonight, I’m watching one out three rotating casts for this production. What impressed me before a single line was spoken was the vocal talent. MTS has built a reputation for consistently strong singing, and under the music direction of first-time musical director Damon Hess, that legacy continued. The harmonies were beautifully blended, crisp, and emotionally vibrant. Hess’s work was evident in every number, regardless of cast size or complexity; the vocals were one of the greatest strengths of the evening.

The chemistry among cast members was infectious. From the opening moments, Bonnie Gonzales as Young Elsa and Aurore King as Young Anna captured the innocence and charm at the heart of this story. Gonzales, whom I previously admired in Cardboard Playhouse’s Matilda the Musical, once again stood out with her commanding presence and vocal clarity. King brought playful warmth and contagious energy to Young Anna, a perfect preview of the Anna she would grow into.

Elora Daniels’ performance as Elsa was breathtaking. She delivered vocal power, emotional depth, and a commanding presence, embodying Elsa rather than merely playing her. This was especially clear in Let It Go, the moment the entire audience—particularly the little girls—had been waiting for. Daniels exceeded expectations, transitioning from controlled tension in the opening lines to explosive confidence in the final crescendo. Her transformation was stunning, capped by a beautifully executed quick-change reveal.

Madison Dodd’s Anna was bright, warm, and earnest—her natural comedic timing shone through even the most clumsy, lovable moments, making her performance authentic and relatable. Her rendition of Love Is an Open Door with Santiago Baca as Hans was one of the evening’s highlights. Their playful duet captivated the audience, and the moment was elevated by one of the funniest unscripted reactions I’ve ever heard. As the pair leaned in for their kiss, a chorus of children loudly exclaimed “ewww!” reminding us all how magical—and honest—young audiences can be.

Nick Goodwin brought a grounded, steady charm to Kristoff. His portrayal balanced ruggedness with quiet gentleness, creating a Kristoff who felt both familiar and warmly human. His vocal performance complemented his character work, giving the role depth and sincerity, especially during Kristoff’s Lullaby Tag.

And then came Olaf.

Ryan Pennington delivered one of the most joyful performances of the night. His rendition of In Summer was as whimsical and effervescent as the first time I ever heard it. Pennington’s comedic timing was perfect, and every moment he appeared onstage felt like a little burst of sunshine.

Director Marc Comstock, along with assistant director Alexis Hadsall, kept the pacing tight and the emotional beats genuine. The costumes, led by Shannon Scheffler with assistant designer Katy Cornett Jacome, were exceptional. Quick changes were flawless, and the detail in each costume piece elevated the world of Arendelle.

Wendy and Zane Barker’s choreography was one of the most impressive parts of the evening. I was captivated by the creativity—especially their use of dancers to embody Elsa’s magic. Dressed as snow and wind, they swept across the stage, creating visual poetry that captured winter’s essence. With a cast of varying experience levels, the choreography stayed cohesive, dynamic, and thoroughly entertaining.

Alongside the usual musical highlights, several numbers stood out as some of my favorites. Hygge was a delightful surprise—full of humor, charm, and bold choreography. Jack Litherland as Oaken kept the audience laughing, embracing the character’s comedic eccentricity. The ensemble added energy and warmth, giving the number its joyful tone. Monster offered a stark contrast—intense, dramatic, and visually striking. It beautifully conveyed Elsa’s internal struggle, supported by strong ensemble vocals and choreography that emphasized her fractured emotional state.

Musical Theatre Southwest’s Frozen is everything community theater should be: heartfelt, beautifully sung, creatively staged, and full of love for the source material. From the leads to the youngest ensemble members, every performer helped create a world that felt alive and enchanted. I left the theater smiling, feeling joyful about what I had just experienced.

Whether you’re a longtime fan or discovering the story for the first time, this production of Frozen offers a night of joy, laughter, and pure theatrical magic.

Frozen runs until December 21st. For tickets, visit https://www.mtsabq.org/